1987 Fender Paisley Telecaster - £749

1987 Fender Paisley Telecaster

NEW ARRIVAL In 1968 Elvis bought a pink paisley Telecaster for his guitarist, James Burton, and ever since this model has become one of the most recognisable guitars ever. As the originals grew in popularity and value, Fender decided to reissue them in 1985, making this an early example - Crafted in Japan, these reissues have become desirable collectables in their own right. The guitar sounds as good as it looks, with two vintage-style Telecaster single coil pickups, tonally it's everything you'd want from such an iconic guitar - hugely versatile. The guitar is in excellent condition - with only one noticeable ding - the neck has a very comfortable feel to it, with great low action, making it a very easy guitar to play. It comes in a suitcase style hard case.

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1994 Lowden F25 - £1999

1994 Lowden F25

NEW ARRIVAL Lowdens are the one brand of guitar, other than some vintage guitars, that have the quality that I like to call unputdownableness. This F25 is hugely responsive. The first thing that strikes you when you play this guitar is the amazing depth and bass response, not boomy but very smooth. The overall sound is well balanced, with great resonance and clarity. As with all Lowdens it handles alternate tuning particularly well, and is equally happy being fingerpicked or strummed, the neck is very comfortable and the action just right. At 25 years old, the Cedar top and Indian Rosewood back and sides are starting to mature beautifully. The guitar is in good condition, with visible playwear, and has an active undersaddle pickup installed. It comes in it's original Lowden embossed hard case.

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2004 Collings D2H - £2799

2004 Collings D2H

NEW ARRIVAL The Collings D2H is one of the most sought after, high end, hand built dreadnoughts around. This guitar has been expertly crafted, and offers not only a classic deign and all American tone, but boasts meticulous attention to detail creating a beautifully finished guitar. With a Sitka Spruce top and Indian Rosewood back and sides, it produces a full and powerful tone with exceptional low end performance, a balanced well defined mid range, and a full and clear high end. This guitar is everything you would want from this most classic of all time acoustic guitar designs. The soft V profile neck and low action make it a players dream, with a very responsive Ebony fingerboard. The guitar is in well played condition, with quite a few playwear marks, and features a very high end Mimesis Kudos Blend, which features a switchable combination of microphone and active/passive hum-cancelling magnetic pickup. The guitar comes in it’s original deluxe hard case.

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1968 Levin LN26 Goliath - £599

1968 Levin LN26 Goliath

NEW ARRIVAL Hugely popular in the UK and Europe during the 60's as this model was played by Pete Townsend and Eric Clapton, among many others. It features a Spruce top with Mahogany back and sides, with a vivid tobacco sunburst, distinctive fingerboard markers and a very cool truss rod cover. Tonally it has real bite in the mid-range, sparkling trebles, as well as great bass response, making it a very versatile guitar - just as comfortable with delicate fingerstyle right through to heavy strumming. These guitars were renowned for being equal, and in some cases better, in sound and build to the best CF Martin guitars of the day - so much so, that in 1973 CF Martin brought Levin and gradually stopped production to eliminate the competition. The guitar is in excellent condition, with no cracks or repairs, just lots of great looking lacquer checking. It’s a treat to play, with a very comfortable neck and action, and comes in a non original hard case.

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1998 Collings D1AV - £2799

1998 Collings D1A

SOLD The Collings D1AV is extraordinarily loud. The Adirondack Spruce top favours a strong pick attack and provides the ample headroom and power needed to cut through bluegrass ensembles. The Mahogany back and sides keep your lead lines clear and distinct. Volume aside, this guitar is also incredibly balanced in it’s frequency response. Notes are rich and full all the way up and down the neck. The midrange and high-end sparkle will cut through any studio or on-stage mix with ease. The lows are balanced, defined, well rounded, and never boomy. Collings ‘Vintage Now’ neck is the perfect compromise for many players that think a modern neck is too flat in profile, yet the typical neck on a 40’s style instrument is too thick. Collings’ exclusive neck profile is uniquely adapted to players looking for vintage width and girth, with contemporary playability. The slightly wider string spacing at both ends of the guitar also makes fingerstyle playing and chordal accompaniment more enjoyable. The guitar is in very good, played condition, with a repaired centre seam. Those 21 years of play have really opened the tone up, and it sounds far more mature than it’s years would suggest. It’s a truly exceptional instrument. The guitar comes in a deluxe hard case.

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2015 Millman JM28 - £1499

2015 Millman JM28

NEW ARRIVAL Based in Devon, and having studied under Brook guitars, James Millman is fast gaining a reputation as an outstanding British luthier. His guitars have a very natural feel to them, traditionally built using hand tools and minimal jigs. Wherever possible he uses local, native and reclaimed timbers, and all his guitars are finished with a hand rubbed, organic oil finish and French polish. This example features a Spruce top with Tasmanian Blackwood back and sides, the fingerboard and bridge are Ebony, and a Mahogany soundhole rosette is a classy touch. Tonally the guitar has great clarity, single note separation and sustain. It fingerpicks very evenly with great balance, and as a strummer it has a dynamic punch. The guitar has a genuine hand made feel, the tone and playability of which is excellent. The guitar comes in it’s original hard case.

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2015 Atkin White Rice Relic - £2799

2015 Atkin White Rice Relic

SOLD This very special Historic Series guitar is a loving recreation of Tony Rice’s infamous D28, a guitar previously owned by Clarence White, hence its name – The White Rice. With its instantly recognisable enlarged soundhole and overhanging fretboard, the original guitar is generally agreed to be one of the best sounding D28’s in existence. The guitar features a torrefied Sitka Spruce top and Indian Rosewood back and sides finished in relic vintage blend nitrocellulose lacquer. Thanks in part to the oversized soundhole, the White Rice combines incredible power with an openness and resonance that is unique. Accurate in every detail to the original, this is the ultimate White/Rice tribute. Tonally it has a very complex sound, great depth and resonance, plenty of punch and attack, and well balanced with superbly articulated clarity - Quite simply it's a classic. The guitar has a Fishman Matrix Infinity pickup system fitted with volume and tone controls mounted inside the soundhole, and comes in it’s original embossed Hiscox flight case.

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2015 G&L Premier ASAT Classic - £1199

2014 G&L Premier ASAT Classic

NEW ARRIVAL Founded by Leo Fender in 1980, G&L USA instruments continue to be made in the historic G&L facility on Fender Avenue in Fullerton, California. Probably G&L's best known and most iconic guitar, the ASAT Classic features the timeless layout and pickup configuration of Leo Fender's groundbreaking Telecaster. Framed in a classic boxed-steel bridge, the single-coil Magnetic Field Design bridge pickup created by Leo Fender delivers crisp attack with complex harmonics while individual brass saddles offer modern levels of intonation refinement. Flip to the single-coil MFD neck pickup and the tone is much richer, taking you from round clean jazz tones to thick, gritty blues. This is a US made original, not to be confused with the budget Tribute model. This example is in excellent condition, with fantastic playability, and is especially desirable as it comes in a custom Red Burst finish. The guitar comes in a deluxe suitcase style flight case.

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1989 Lowden W23 - £1999

1989 Lowden W23

NEW ARRIVAL During 1991 Lowden changed their model names to the now familiar S, F and O. Prior to that the designated letter described the type of tone wood - in this case W for Walnut. This guitar would now be called an 0-23 as it’s the bigger bodied model, featuring a Cedar top with Walnut back and sides. It’s a very responsive guitar, capable of creating a big, orchestral sound with great detail, but also capable of subtle nuances while playing fingerstyle. In alternate tuning it really excels, drop the low E to a D and the floor starts to shake. The guitar in in excellent condition, the 30 years of play have allowed to tone to mature beautifully, and the playability is very comfortable. The guitar comes in it’s original Hiscox flight case.

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1970 Guild D25M - £999

1970 Guild D25M

NEW ARRIVAL This is a great chance to buy a vintage US made Guild, at a price you wouldn't normally expect, made in the famous Westerly factory in Rhode Island. The Guild D25M is the model famously played by Ryan Adams, it's a dreadnought shape, with all solid Mahogany top, back and sides. The model later changed to a Spruce top that was stained Mahogany with and arched back, so this early example is wuite rare. Tonally it has rich, smooth, vibrant sound, good bass response yet very well balanced and it's hugely playable with a comfortable playing action. The guitar's in excellent condition, all original, with one repair by the end pin. The guitar comes in a non original hard case.

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2008 Avalon D300A - £1999

2008 Avalon D300A

Hand crafted in Ireland in the same shop, and by many of the same highly skilled luthiers, that gave birth to Lowden guitars, the Avalon Americana D300A owes as much to Gibson’s heritage as it does to that of Lowden. The slope shoulder dreadnought body design and belly bridge are clearly US inspired, as are the tobacco burst and Grover tuners. The build quality is more boutique Custom Shop, finely quartered Mahogany back and sides and a solid premium grade Sitka Spruce top, Ebony fingerboard and bridge, Sycamore binding, and snowflake inlays. The tonal balance is fantastic - it strums beautifully and fingerpicks with great clarity and single note separation. A seriously high end instrument with fantastic tone and great playability. It also features a top of the range K&K Trinity pickup system with pre amp, and comes in it’s original Hiscox flight case.

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2004 Danelectro U2 Resodan - £399

2004 Danelectro U2 Resodan

ON HOLD Based on Danelectro's phenomenally successful U2, the Resodan uses the U2's semi-solid construction to accommodate the aluminium spun biscuit cone resonator. It features a Maple neck with Rosewood fingerboard, 'D' brand enclosed machine heads and an aluminium nut. A lipstick pickup in the neck position, gives a thick, warm tone, with a stronger acoustic character afforded by the resonator. The bridge pickup - an Ashworth transducer system is fitted directly to the cone - gives a cutting, nasal voice that generates an amplified impression of a steel-bodied blues barker. And it really cuts through - the upper mids are extremely heavy. The real beauty is that you can mix these two sounds with the pickup selector in the middle and then balance their tone and volume to taste using the dual-concentric pots. The guitar is in very good cosmetic and playable condition, showing only the lightest signs of playwear, and comes in a non original hard case.

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2005 Gretsch G6120 Nashville - £1599

2005 Gretsch 6120

Few electric guitars are as recognisable as a Gretsch, and in a classic orange finish the Nashville 6120 has to be the most identifiable of them all. It first appeared in the mid-1950s with the endorsement of Chet Atkins, and was quickly adopted by rockabilly artists Eddie Cochran and Duane Eddy, then later by Eric Clapton, Pete Townsend, Brian Setzer, and many others. The guitar’s build quality is impressive, featuring 5 ply Maple body construction (not 3 ply on current models), a three piece rock Maple neck, Ebony fingerboard, neo-classical inlays, and open-bound oversized F holes. The hardwear features solid brass, gold plated control knobs, and Gretsch chrome Bigsby flat handle vibrato tailpiece. Then there are the dual high sensitive Filtertron adjustable pickups which deliver that signature Gretsch growl and midrange honk that takes you from rockabilly to hard rock and everything in-between. The guitar is in excellent condition, with a comfortable feeling neck and easy playing action., and comes in it’s original Gretsch embossed hard case with certificate and original paperwork.

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1985 Fender D'Aquisto Standard - £1799

1985 Fender D Aquisto Standard

Released as the flagship models of Fender’s “Master Series” in the eighties, these high end archtop jazz guitars were designed by acclaimed luthier James D’Aquisto and, built to his exacting specifications, he saw their production in limited quantities. Today, over 30 years on, it’s become a sought after player-priced model. It features a number of D'Aquisto's signature designs. The soundboard has his original single point soundholes, and all Rosewood hardware, including contoured tailpiece, bound pickguard, and solid control knobs. Two specially designed humbucking pickups offers fat, classic jazz tone with superior feedback resistance. With dimensions similar to the Gibson ES-175, the 16" body is comfortable to hold, with a sleek 2 3/4" body depth, and the 24 3/4" scale makes fast runs and stretch chords fall more easily under the hand. This stunning guitar is finished in a beautiful sunburst, and crafted from exceptional Birdseye Maple throughout. In excellent condition it comes in it’s original hard case.

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2010 Paul Doyle - £1499

2010 Paul Doyle

This is a rare example of a high end, Irish made acoustic guitar - clearly borrowing from the Maccaferri style Gypsy Jazz guitars with a D shape sound hole and extreme Florentine cutaway. The guitar features a 900 year old Sitka Spruce top, coupled with Indian Rosewood back and sides. The neck is African Mahogany with a Walnut strip, and a Rosewood fingerboard. The binding is Irish Yew and Herringbone, and the soundhole rosette is Abalone. The other noticeable feature of the guitar - and all Paul Doyle instruments - is a headstock finial featuring a white and pink pearl Celtic design. Tonally this guitar is very versatile, when fingerpicked the individual notes chime with great clarity, yet it strums equally well - the Sitka Spruce top adds punch and the Rosewood back and sides give added resonance. It's in good condition, with just signs of light playwear. It has an underside Artec pickup fitted, with controls mounted inside the soundhole, and comes in it’s original hard case.

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2011 Fender Tele-Bration 75 Telecaster - £1199

2011 Fender Tele-Bration 75 Telecaster Limited Edition

2011 was the 60th anniversary of the Telecaster, so Fender celebrated this occasion by issuing 12 very special limited edition models. The '75 Telecaster is a model that takes its most unusual cue from another classic Fender instrument, the 1975 Jazz Bass guitar. That means an Ash body with a Natural finish and a Maple neck with black block inlays, with an arm contour, 3-ply black-white-black pickguard and Jazz Bass control knobs. It features a '62 Tele Custom Single-Coil Pickup in the bridge, and a Wide Range Humbucking Pickup in the neck. This means you get the classic vintage Telecaster bite in the bridge position, with a warmer fuller tone in the neck position.  This example is in virtually unplayed condition. It is very well balanced and comfortable to play and it has very smooth, low action. It comes in it’s original Fender black tolex hard case with all hang tags and paperwork. 

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2001 K Yairi DY 84 M - £899

2001 K Yairi DY 84 M

When Kazuo Yairi began designing and hand-crafting guitars in the 1960’s, he was not trying to create a “mid-range” alternative to the best American guitars; he was consciously competing with Martin, Gibson, Guild, and the “boutiques” for the higher end guitar market in the U.S. Since his death in 2014 his guitars have started to increase in value, and are becoming future collectables. This DY-84 M model is an example of the quality and sound which he was able to produce using the highest quality materials, the best Japanese craftsmen, and his own modifications of the most effective American designs. The guitar has a Sitka Spruce top, with stunning Curly Maple back and sides, and a Mahogany neck. There’s a bound Rosewood fingerboard with beautiful Abalone snowflake inlays, an Ebony bridge, Abalone rosette, bone nut and saddle, gold tuners and a really striking Ebony headstock with Abalone inlays. A very classy looking guitar. Tonally the Maple particularly resonates around the mid and high frequencies, while the dreadnought body shape generates a great bass end. So the guitar is balanced, very dynamic and works well with both strumming and fingerstyle. It’s in excellent condition, with only minor signs of playwear, and comes in a non original hard case.

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1974 Dan Armstrong London Model 341 - £1749

1974 Dan Armstrong London model 341

This Dan Armstrong London Guitar is a very rare thing indeed - only 333 guitars and basses were made. Probably better known for his Ampeg Plexi guitar which was famously played by the Rolling Stones in 1969, Dan used a very similar body shape for this wood bodied guitar. It features a Honduran Mahogany body, which is reminiscent of a ’50s Les Paul Jr.—Dan’s favorite guitar. The neck is also Honduran Mahogany, while the fretboard is Rosewood. The solid, fat Mahogany body gives the guitar a thick, raw sound much like a ’57 Les Paul Jr. The cast-aluminium wraparound bridge looks like a ’50s-style tailpiece, but is fully adjustable and is connected to an aluminium ramp running from the bridge to where the fretboard meets the body. The ramp houses a Kent Armstrong humbucker, which can be moved all the way from the bridge to the neck and anywhere in between. The guitars were wired so that when the tone control was all the way up, it would short-circuit half of the pickup, making it essentially a single-coil and brightening the sound beyond the 10-setting on the tone control. The low-impedance pickup uses a transformer housed in the guitar’s control cavity to adapt the signal to high impedance for use with an amp. To keep the pickup lean and mean, the Armstrongs created thin pickups by using 38-gauge wire. Altogether this is a very quirky guitar, in excellent condition with great playability and fantastic tone. It comes in a non original hard case.

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1989 Santa Cruz Tony Rice - £2799

1989 Santa Cruz Tony Rice

SOLD Santa Cruz are one of the best high end acoustic guitar builders, producing genuinely hand made guitars from California. The Tony Rice model is particularly hard to find, especially such an early example. The guitar is based on Tony Rice's 1935 Martin D28 with forward shifted skinny scalloped bracing, with Ebony fingerboard and bridge. It also features a custom Brazilian Rosewood headstock veneer and Santa Cruz logo fingerboard inlay at the twelfth fret adding to the guitar's high end feel. The guitar has incredible presence and bass response, yet retains a good balance with strong midrange and bright powerful treble response. The guitar works well with fingerstyle playing as well as powerful rhythm bass lines. It's seriously one of the best modern dreadnoughts you will ever play. It's in good condition, with a reasonable amount of playwear, and some finish flaking on the upper bout bass side. The guitar has an LR Baggs Anthem SL blend pickup system installed, and comes in it's original deluxe hard case.

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1920's Larson Brothers 0-28 - £2999

1920's Larson Brothers 0-28

SOLD Larson Brothers guitars are amongst the rarest, most highly sought after acoustic guitars, and regarded as some of the best ever made. From 1900 - 1944 they manufactured instruments under a wide variety of names, such as Euphonon, Prarie State, Maurer, Stahl, Dyer and Stetson. They also produced quite a large number of guitars with no manufacturer's imprint - which can make them tricky to authenticate, but there are several signs to look for when trying to identify them, apart from the fact that they sound exceptionally good, and the build quality is superb. Externally, the variety of fingerboard inlays, the unusual 10th fret inlay, detailed binding, and a thicker than usual ebony fingerboard are indications. The internal structure is also a clue, the hand made feel and high quality is always apparent.
This example is an 0 size guitar made with an extremely high quality, very tightly grained, Sitka Spruce top, and beautiful Brazilian Rosewood back and sides. For a small bodied guitar it is surprisingly versatile, very resonant and capable of handling anything from delicate fingerstyle through to vibrant strumming. The tone is rich and bright, and the Brazilian Rosewood back and sides add complexity to the overall sound - the single note clarity is particularly impressive. The guitar is in surprisingly good condition for a guitar of this age, with no cracks, and a very comfortable neck and playing action. It comes in a fitted hard case.

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2001 Bourgeois Slope D - £2799

2001 Bourgeois Slope D

Bourgeois are one of the best high end acoustic guitar builders in the US, producing genuinely hand made guitars from Maine, New England. This example is the classic slope shouldered dreadnought, featuring a stunning Bear Claw Spruce top with highly flamed Maple back and sides. Nicknamed the Banjo Killer because it’s sheer power and dynamic range can cut through just about any mix. The guitar has incredible presence and bass response, yet retains a good balance with strong midrange and bright powerful trebles. It’s very responsive for fingerstyle playing as well as powerful rhythm bass lines - seriously one of the best dreadnoughts you will ever play. The guitar’s in excellent condition, the label has been signed by hand by Dana Bourgeois himself, and comes in it's original hard case.

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2008 K Yairi RAG 65 MH - £1199

2008 K Yairi RAG65MH

K Yairi was a master luthier, and believed that the most laborious methods of wood selection, preparation and manual carving were central to creating the ideal sound. With a small team of highly trained luthiers, his Masterbuilt range is truly exceptional. This is a fine example of a hand made guitar of the highest quality, even signed by the man himself. With a dark honey tinted Spruce top, and Gabon Mahogany back and sides - this guitar looks as beautiful as it sounds. Considering the small body size, it has a big sound, very resonant with excellent sustain. The guitar has great definition and clarity for fingerpicking, and works well for strumming. It’s in excellent condition, the neck feels great and the action is very comfortable. The guitar comes in it's original Hiscox flight case.

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2015 Furch OM-22-CM - £999

2015 Furch OM-22-CM

Furch are a very high end, hand built Guitar brand, made in the Czech Republic since 1981 - also re-branded as Stonebridge for sale in North America. This particular guitar is one of their most popular models, the OM-22, featuring a combination of Cedar top with Mahogany back and sides. The Cedar top is ideal for fingerstyle players - considerably softer and more responsive than Sitka Spruce, with lush bass and rich overtones. Coupled with the satin finished Mahogany back and sides, which allows greater resonance, this guitar is extremely versatile and shines, both with fingerstyle playing as well as strumming. Warm, lush, yet defined with great note definition. The guitar also features Ebony fingerboard and bridge, also signs of high quality. It’s in excellent condition, with a plugged strap button hole, and comes in it’s original embossed Hiscox flight case.

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1956 Supro Belmont - £899

1956 Supro Belmont

Prices of Supro / National / Airline guitars are increasing steadily, possibly made more desirable because of Jack White / White Stripes. This 1956 Supro Belmont is in very good condition. With a peanut body, deep red finish, and gold hardware, the Belmont is as visually striking as it is tonally rich and dynamic. The oversized single coil pickup is powered by a large ceramic magnet, and the tone is quintessential Supro, with power, bark, and glassy shimmer when strummed with a pick. It doesn't get any simpler than a single pickup with Volume and Tone knobs, yet the Belmont makes the most of this basic layout and rolling off the tone knob gives you some very warm jazzy tones that are still defined and focused. There's plenty of twang and grit to be had too, giving an epic blues tone. The guitar is in all original condition, with excellent playability, just a couple of areas on the body edge where the plastic / vinyl finish is starting to lift. The guitar comes in what appears to be it’s original hard case.

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1946 Vega D-100F - £999

1946 Vega D-100F

Vega were at the forefront of mandolin builders in the 1920’s and 1930’s, and amongst the earliest builders to experiment with electrification, employing some cutting edge features. This example features Vega’s trademark two-point shape, a great looking single coil pickup, and Bakelite tone and volume knobs, all of which add up to a very cool, classy looking instrument. Unplugged it sounds bright and resonant, and surprisingly loud despite the weight of the pickup and electronics. Plugged in the tone is full and ringing, and really cuts through. The instrument is in excellent condition, with an easy playing neck, and comes in a non original hard case.

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2016 Dave King Katrina - £1999

2016 Dave King Katrina

Over the last 20 years, Dave King has become one of the forerunners in British luthiery, all of his guitars have a genuine hand made feel, the tone and playability of which are superb. This example is a 12 fret 000 model, featuring a Sitka Spruce top with Indian Rosewood back and sides. The Spruce / Rosewood combination give great clarity and definition, and the body size gives fantastic balance. The resonance is probably the main thing you notice - single notes chime, and the sustain is really impressive. Overall it’s a great all rounder, very comfortable to play and even better to listen to. The guitar is in excellent condition, just the odd ding visible. It comes in it’s original Hiscox flight case.

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1977 Guild F112 - £1099

1977 Guild F112

One thing that everyone agrees on is that Guild make superb 12 string acoustics, and this F112 is absolute proof. It has a Spruce top with Mahogany back and sides, and with the smaller body this adds a richness to the room filling sound. As a 41 year old guitar, in all original condition, it has the kind of playwear you'd expect - light dings and the odd scrape, plus a pro top crack repair. Tonally it's far superior to a newer model, with a comfortable feeling neck and good action. It comes in it’s original hard case.

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2011 Lowden O23 - £2499

2011 Lowden O23

This is a great example of the original size, bigger bodied Lowden, with the very unusual combination of Cedar top and Walnut back and sides. The first thing to mention is the look of the guitar, the Walnut looks exceptional, one of the most striking finishes I've seen on an acoustic. Tonally It has a warm, full sound, with great resonance and clarity, and the neck has a great feel and very easy playing action. As with all Lowdens it handles alternate tuning particularly well, and is equally happy being fingerpicked or strummed. At 7 years old it has already begun to mature, yet it looks practically unplayed. The guitar has a K and K pickup installed and comes in it’s original Hiscox flight case.

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2014 Godin Multiac - £1099

2014 Godin Multiac

With Godin’s Multiac Steel Duet Ambiance, the aim is to achieve bold, rich amplified steel-string acoustic guitar tone in a more comfortable, playable, and feedback-resistant package. To achieve this the guitar features a thin chambered body routed from solid Mahogany with a solid Spruce top, a deep single cutaway for easy upperfret access, a bolt-on Mahogany neck, and a Fishman electronics package with slider controls. Traditional ingredients include a standard ebony pin bridge with compensated one-piece Tusq saddle, a herringbone inlay that dresses up the bound body top, and a slotted headstock with open-gear tuners. Found on all Multiac series models, the longer headstock also allows for greater string tension, which, combined with a longer scale, is a good thing for altered and dropped tunings. The entire package looks great in a high-gloss vintage sunburst finish. The guitar is in excellent condition, plays like a dream, and comes in it’s original deluxe padded Gigbag.

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1974 Yamaha SA-60 - £999

1974 Yamaha SA-60

Early 70’s Yamahas have become very collectible guitars - their build quality, tone and feel are fantastic. Made in the famous Nippon Gakki factory, the SA-60 is clearly based on a Gibson ES335, but with a twist. The contoured shape of the horns make the guitar really stand out, the fingerboard inlays are classy, the tone and volume knobs are beautifully retro, the bridge saddles are quirky, and the embossed leather inset in the tailpiece is just cool. The tone is where this really shines... it's thick, warm, responsive, resonant, expressive... just fantastic. Playability is very good with a comfortable feeling neck and easy action. The guitar is in excellent condition, very clean but with some great looking lacquer checking. It comes in a brand new fitted hard case.

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1990 Fylde Orsino - £1699

1990 Fylde Orsino

SOLD This is a rare example of a really high end, British made acoustic guitar. The Fylde Orsino is a dreadnought size, with select Western Red Cedar top and Honduras Mahogany back and sides. Tonally this guitar is very versatile, when fingerpicked the individual notes chime with great clarity, yet it strums equally well - the Cedar top adds warmth and the Mahogany gives depth. It's in very good condition, with just the kind of playwear you’d expect from a 28 year old guitar. It has an underside pickup fitted, and comes in a non original case.

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2015 Marvit Blues Ltd Edition - £1199

2015 Marvit Blues Limited Edition

Marvit are a little known guitar company, based in Italy, producing high end electric guitars. This particular example is a custom built Blues Limited Edition acoustic, hand made, using some very fineial indeed. The top is 8 year old AAA Sitka Spruce, with beautifully figured Syphian Mahogany back and sides. The Maple binding and Ebony fingerboard and tuners are an indication of the build quality, it even features an LR Baggs Ibeam system. The guitar is ideal for fingerstyle, with great single note separation and clarity, plus good sustain to handle strumming very well. The bass is warm, the mids full, and the trebles sweet - a very evenly balanced tone. The neck feels comfortable with easy playing action. It comes in it's original hard case.

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2017 Avalon D300A - £2499

Ex Demo Avalon D300A Custom

This Avalon D300A Custom is really surprising, from their Americana range, and is a fine example of a clearly Gibson inspired slope shouldered dreadnought. It’s one of the most evenly balanced guitars I’ve played, with a full bass, smooth mid range, and sparkle in the top end. The Bear Claw Adirondack Spruce top adds complexity to the tone, while the highly figured Honduras Mahogany back and sides provide the warmth and resonance. It’s a great all rounder, equally happy being strummed, flat picked or played finger style. Visually it’s a treat, the custom ordered amber burst is beautiful, with Abalone rosette and Sycamore binding setting it off really well, and the snowflake inlays on the Ebony fingerboard are the perfect finishing touch. It comes in a Hiscox hard case.

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1920 George Washburn Parlour - £1299

1920 Washburn Parlour

SOLD Not to be confused with modern Washburn guitars, the early 1900's models have become very desirable. The history may be a little confusing - but these early George Washburn guitars were made before the company was sold to Tonk Bros, and made by Regal. I’ve had a few of these early parlour guitars, but never one in all Mahogany, and tonally it’s quite different - much smoother and warmer than those with Spruce tops. The top and sides are in very good, crack free condition, although the back has had several repairs, and there is a neck repair. Having said that, the guitar feels strong, plays well and sounds really distinctive. It even comes in it’s original case.

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2018 Ex Demo Avalon D2 10 - £1999

2018 Avalon D2 10

This ex demo Avalon D2 10 is really surprising, and is a fine example of a clearly Gibson inspired slope shouldered dreadnought. It’s one of the most evenly balanced dreadnoughts I’ve played, with a full bass, smooth mid range, and sparkle in the top end. The Sitka Spruce top adds complexity to the tone, while the Mahogany back and sides provide the warmth and resonance. It’s a great all rounder, equally happy being strummed, flat picked or played finger style. Visually it’s a treat, classic lines with classy but understated finishing touches. It comes in a Hiscox hard case.

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2018 Ex Demo Avalon A1 10 Custom - £1999

2018 Avalon A1 10 Custom

With the A1 10 Avalon have produced an exceptional example of a Cedar / Mahogany mini jumbo guitar. It’s a very versatile instrument, quite orchestral at times, this guitar can take you through all playing styles, subtle enough to play delicate fingerstyle, and rich enough to create a room filling sound. The single note clarity is exceptional, with bags of sustain, it really is a joy to play. Perfect for songwriting, studio use or out on stage. The custom sunburst finish is an added touch of class, making the guitar really distinctive looking. It comes in a Hiscox hard case.

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2017 Ex Demo Avalon L2 20 - £1999

2017 Ex Demo Avalon L2 20

This ex demo Avalon L2 20 is one of the most impressive new guitars I've played in quite a while. The Alaskan Spruce top, coupled with Rosewood back and sides deliver clarity and sustain in equal measures. It works very well with fingerstyle play, well balanced and articulate, but also for strumming where the body size allows the air to move creating a big, dominant sound that never gets away from you, and when soloing the smoothness and clarity of single notes is very impressive. The guitar feels quite substantial and road ready, yet it’s the subtlety that’s surprising. It comes in a Hiscox hard case.

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1987 Guild D50 - £1199

1987 Guild D50

The D50 is probably Guild's best known dreadnought model, the classic Spruce / Rosewood combination, making it one of the most popular flatpicking / bluegrass acoustics around. This example is particularly desirable, as sunburst finishes are quite hard to find. The guitar has a fair amount of playwear, and has benefited from this with a more mature tone than you'd expect from a 30 year old guitar. It sounds resonant and punchy, with a full tone and great clarity and definition - very responsive, with a very comfortable playing action. It's a great looking guitar, the sunburst top is really striking, and the Rosewood back and sides are beautifully figured. The guitar is in all original condition, with a very comfortable feeling playing action. It comes in it's original hard case.

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1960 Guild M20 - £1749

1960 Guild M20

SOLD It's unusual for a guitar to be linked with one particular player, but the Guild M20 will always be considered the Nick Drake guitar. There are other small bodied, all Mahogany guitars out there such as a Martin 00-17 or a Gibson LG0 which are great, and have their own particular characteristics - but if you really want the Nick Drake sound then this is the real thing. Because of this, M20's don't turn up very often, and this one's a beauty. A 00 size guitar, all Mahogany, just back from a pro set up and in great playing condition, with a comfortable neck and low action. The guitar sounds rich and warm, with a beautifully smooth bass and well balanced mids and trebles - it sounds great with delicate fingerstyle, very articulate when picked harder, and a surprisingly big sound when strummed. The guitar is in excellent all original condition with very little visible playwear for a 56 year old guitar. It has one repaired top crack and one repaired back crack, both structurally strong. The guitar comes in it’s original hard case.

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1966 Burns Baldwin Vibraslim - £1399

1966 Baldwin Vibraslim

This is a real piece of British rock ’n’ roll history, from one of the most innovative / eccentric guitar designers. Jim Burns designed the Vibraslim to be the British equivalent of Gibson’s ES335 - a semi hollow, F holed electric guitar with a centre block, a glued in neck and humbucking pickups. Baldwin re-engineered the Vibraslim in mid-1966 into a fully hollow guitar with a bolt-on neck, a short Rezo-Tube vibrato, and a scroll headstock. The later guitar was made in much greater numbers than this version, and are much more common today. This Vibraslim is a rare combination of earlier instrument with the later ‘Bar-O-Matik’ pickups specific to the first half of 1966, and is a unique guitar both in sound and feel. This example is in great playing condition, with no cracks or repairs, just some cool looking lacquer checking. It’s a great example of a rare piece of history that’s not too valuable to take out on the road. It comes in a non original hard case.

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2009 Atkin Jumbo - £1999

2009 Atkin Jumbo

SOLD Alister Atkin is fast becoming a big name in British luthiery. Based in Canterbury his build quality, attention to detail, and fantastic tone and feel are quite exceptional. This example is a jumbo model, featuring a beautiful Bear Claw Spruce top with Indian Rosewood back and sides. It’s unusual to have a jumbo size guitar with a Spruce / Rosewood combination - usually the sound would be too boomy, but the Atkin build spec makes this guitar hugely playable without ever being overpowering. A very versatile instrument, quite orchestral at times, this guitar can take you through all playing styles, subtle enough to play delicate fingerstyle, and rich enough to create a room filling sound. The single note clarity is exceptional, with bags of sustain, it really is a joy to play. Perfect for songwriting, studio use or out on stage. It comes in it’s original Atkin hard case.

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2001 Taylor 510 - £949

2001 Taylor 510

The 5 series is the first of Taylor's high end models - the beautiful rosette is an indication of this, understated but classy - and this guitar is a fine example. The Spruce top and Mahogany back and sides give the guitar a bright, airy feel, and the dreadnought body size gives great bass response and drive. As with most Taylors, the neck is very comfortable with a great playing action. As a 16 year old guitar the tone has matured, adding a complexity to the sound - some very subtle overtones. The guitar is in great condition, with a very tight and well disguised neck repair. It comes in a luxury hard case.

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1976 Mossman Great Plains - £1499

1976 Mossman Great Plains

SOLD Stuart Mossman is considered by many to be the world’s first boutique guitar builder. During a relatively short period that began in the late 1960s and ended in 1984, he and a group of devoted artisans built high-quality acoustic guitars in Winfield, Kansas. Although exact numbers are hard to come by, it’s probably safe to say that the small Mossman shop produced only about 6,000 instruments during that time, which helps to explain why they are relatively rare and highly desirable in the used market. Similar to a Martin D-35, this Great Plains combines a beautiful three-piece Indian Rosewood back with a Sitka Spruce top. What this 3 piece back does for the sound is add more bass, as the 3 piece back is stronger that the traditional 2 piece back, allowing the top bracing to be lighter and therefore resonate more. It has a bright, punchy sound with plenty of attack, and a tight controlled bass, and with 41 years of play it has matured really well. It's in very good condition for it's age, the top having turned a beautiful honey colour, and the three piece back has beautifully contrasting Rosewood grain. It's in all original condition, with no cracks or repairs, just lots of great looking lacquer checking. It has a nicely bound ebony fingerboard which feels very comfortable, and has a great playing action. The guitar has a K and K Pure pickup installed, and comes in it’s original hard case.

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2015 R Novelli Coronado - £599

2015 R Novelli Coronado

From up and coming Italian luthier, Raffaele Novelli, is this one off hand built guitar. It’s reminiscent of a Fender Coronado, particularly with the classic Surf Green Nitro finish, although with a smaller body and set neck it also has the feel of a Gibson ES336. Made from 25 year old solid Spruce, with a solid Maple neck, the guitar also features a hardwired PAF style humbucker, and centre block to reduce feedback. There are some very distinctive finishing touches - a 30 year old chromed horseshoe tailpiece, and chrome rivets running along the rims. It has a played look to the finish, which only adds to the vintage vibe. The tone is warm, with a rich punch to the mids and a real snap in the trebles. The neck is very comfortable, with a low easy playing action. As a relatively new luthier on the scene, this could be a great chance to buy one of Raffaele’s guitars before they become expensive.

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1932 Vinaccia Lap Steel - £1499

1932 Vinaccia Lap Steel

The Vinaccia family are one of the most historically important stringed instrument makers, in fact many musicologists believe that the modern steel-strung mandolin was developed in Naples by the Vinaccia family. The earliest example on view was built in 1744 by Gaetano Vinaccia, and is housed in the Conservatoire Royal de Musique in Brussels, Belgium. There is a 1763 example by Giuseppe Vinaccia, which can be found at the Kenneth G. Fiske Museum of Musical Instruments in Claremont, California. A third example, built in 1772 by Antonio Vinaccia, is kept at the Victoria and Albert Museum in London.
This lap steel guitar was built in 1932 by F.lli Vinaccia, and is one of only two known to exist - the other is in the National Museum of Musical Instruments in Rome. Based on the Weissenborn lap steel guitar, this is probably the earliest European made example. It has a solid Spruce top with Solid Mahogany back and sides. It’s in all original condition, with a couple of repaired back cracks. The guitar feels great to play, very light and resonant - the bass is round and not boomy, the midrange is smooth, and the trebles are bright and really project. The tone and vibe are vintage - no modern copy can come close to this. The guitar comes complete with a 30’s Elton tone bar, which is quite rare in itself. Even the guitar case appears to be original. Maybe this guitar should be in a museum, I’ll let the next owner decide.

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